Bolt!

At least once a week I stumble across the website of some designer, typographer, or illustrator (or combination of any of those three) that makes me realize that I am clearly not doing enough with my craft.

Take for example, Martijn Rijven's BOLTgraphics. His style tends to get a bit cartoony sometimes, but hot damn he knows how to work those illustrations with typography. I mean, check out that header graphic on his blog. Sweet.

A great '08!

I really need to hang out with some new friends, because conversations with my current friends don't go like this:

"Last night, after the clock struck pumpkin time, conversation turned, as it often does, to handwriting and type design. Who's a continuous stroke 8 writer? Any snowman-style two circle drawers? Should the bottom and top circles be the same size, or should the bottom orb be bigger? What shape should the counter be: perfect circle? Tall oval or fat oval? Tear-drop? And thus, the search began."

Head over to the Chicagoist and let them know what your favorite 8 is.

Oh yeah: Happy New Year y'all!

i love typography

One of the fantastic things to come out in 2007 for designers (or anyone really) who love type is a blog called i love typography. For one, it's beautifully designed. Second, it's a phenomenal unbiased resource for typography developments around the world. Sure one can go to Veer's Ideas, the FontFeed, and Show & Tell but since they all sell fonts, it's a good guess they'll mostly focus on stories about the fonts they sell. There's nothing really wrong with that as it's expected and I know I'll get good info on their respective fonts at their respective sites, however an unbiased resource is a great thing to have.

This already impressive site by John D. Boardley contains book reviews, tutorials, font reviews, interviews... many things that a type lover would want to have in one place, and now we do.

Thanks for the site John.

Saul Bass & Associates

Lookee at what Santa brought me. I've had my eye on this book for a while now thanks to the recommendation of my friend DM. To date, this is possibly the most comprehensive Bass book around. It's found a spot on my book shelf between Paul Rand and Tibor Kalman, which is next to Paula Scher.

Logo vs. Clip Art

On the topic of being published, I discovered that there is an online article at Designorati where I am quoted several times.

Every now and then I Google my name for kicks, just to see what comes up. This time the Designorati article popped up about a third of the way down the results page. My quotes were taken from some posts that I made for a topic on using clip art for logos in a Yahoo graphic design mailing list. Obviously, I was strongly against using clip art for logos, as illustrated by my comments.

Word It

Well this is a little exciting for me. I'm published. In print. My name and work is out there. Yay me.

The book is called "The Word It Book" which is a collection of monthly Word It submissions to the Speak Up website. Speak Up is a design blog and Word It is a monthly excercise of taking a word (in this case the word was "blah") and providing a visual interpretation of it.

What's actually the neat part about this is, unlike other trade magazines that run annual design competitions where an entry fee is required (essentially paying your way in), all the entries in this book were hand selected by the authors.

And yes, I took the name for this blog from my own Word It entry of nearly two years ago.

The book:


The best page in the book:


The index to the best page in the book:

Top 10 Things

This is a great top 10 list posted by Michael McDonough over at the adzilla blog:

The Top 10 Things They Never Taught Me in Design School
by Michael McDonough

1. Talent is one-third of the success equation.
Talent is important in any profession, but it is no guarantee of success.
Hard work and luck are equally important. Hard work means self-discipline
and sacrifice. Luck means, among other things, access to power, whether it
is social contacts or money or timing. In fact, if you are not very
talented, you can still succeed by emphasizing the other two. If you think I
am wrong, just look around.

2. 95 percent of any creative profession is shit work.
Only 5 percent is actually, in some simplistic way, fun. In school that is
what you focus on; it is 100 percent fun. Tick-tock. In real life, most of
the time there is paper work, drafting boring stuff, fact-checking,
negotiating, selling, collecting money, paying taxes, and so forth. If you
don’t learn to love the boring, aggravating, and stupid parts of your
profession and perform them with diligence and care, you will never succeed.

3. If everything is equally important, then nothing is very important.
You hear a lot about details, from “Don’t sweat the details” to “God is in
the details.” Both are true, but with a very important explanation:
hierarchy. You must decide what is important, and then attend to it first
and foremost. Everything is important, yes. But not everything is equally
important. A very successful real estate person taught me this. He told me,
“Watch King Rat. You’ll get it.”

4. Don’t over-think a problem.
One time when I was in graduate school, the late, great Steven Izenour said
to me, after only a week or so into a ten-week problem, “OK, you solved it.
Now draw it up.” Every other critic I ever had always tried to complicate
and prolong a problem when, in fact, it had already been solved. Designers
are obsessive by nature. This was a revelation. Sometimes you just hit it.
The thing is done. Move on.

5. Start with what you know; then remove the unknowns.
In design this means “draw what you know.” Start by putting down what you
already know and already understand. If you are designing a chair, for
example, you know that humans are of predictable height. The seat height,
the angle of repose, and the loading requirements can at least be
approximated. So draw them. Most students panic when faced with something
they do not know and cannot control. Forget about it. Begin at the
beginning. Then work on each unknown, solving and removing them one at a
time. It is the most important rule of design. In Zen it is expressed as “Be
where you are.” It works.

6. Don’t forget your goal.
Definition of a fanatic: Someone who redoubles his effort after forgetting
his goal. Students and young designers often approach a problem with insight
and brilliance, and subsequently let it slip away in confusion, fear and
wasted effort. They forget their goals, and make up new ones as they go
along. Original thought is a kind of gift from the gods. Artists know this.
“Hold the moment,” they say. “Honor it.” Get your idea down on a slip of
paper and tape it up in front of you.

7. When you throw your weight around, you usually fall off balance.
Overconfidence is as bad as no confidence. Be humble in approaching
problems. Realize and accept your ignorance, then work diligently to educate
yourself out of it. Ask questions. Power – the power to create things and
impose them on the world – is a privilege. Do not abuse it, do not
underestimate its difficulty, or it will come around and bite you on the
ass. The great Karmic wheel, however slowly, turns.

8. The road to hell is paved with good intentions; or, no good deed goes
unpunished.
The world is not set up to facilitate the best any more than it is set up to
facilitate the worst. It doesn’t depend on brilliance or innovation because
if it did, the system would be unpredictable. It requires averages and
predictables. So, good deeds and brilliant ideas go against the grain of the
social contract almost by definition. They will be challenged and will
require enormous effort to succeed. Most fail. Expect to work hard, expect
to fail a few times, and expect to be rejected. Our work is like martial
arts or military strategy: Never underestimate your opponent. If you believe
in excellence, your opponent will pretty much be everything.

9. It all comes down to output.
No matter how cool your computer rendering is, no matter how brilliant your
essay is, no matter how fabulous your whatever is, if you can’t output it,
distribute it, and make it known, it basically doesn’t exist. Orient
yourself to output. Schedule output. Output, output, output. Show Me The
Output.

10. The rest of the world counts.
If you hope to accomplish anything, you will inevitably need all of the
people you hated in high school. I once attended a very prestigious design
school where the idea was “If you are here, you are so important, the rest
of the world doesn’t count.” Not a single person from that school that I
know of has ever been really successful outside of school. In fact, most are
the kind of mid-level management drones and hacks they so despised as
students. A suit does not make you a genius. No matter how good your design
is, somebody has to construct or manufacture it. Somebody has to insure it.
Somebody has to buy it. Respect those people. You need them. Big time.

Design Ranch 2007

Even if I weren't on the board for the AIGA Austin chapter, I'd still be pimping out this event. By reputation, Design Ranch 2007 is by far one of the best design conferences in the country. Only a few other AIGA chapters put on the Design Ranch, and proudly Austin is one of them.

It's not cheap, but it's good and it really is one of the better priced conferences that you'll find. Sell your liver or a lung (you've got two, right?) if you have to, but find a way to make it there. You can find registration info here. AIGA members can register before March 17th and save forty bucks!

Kudos to Mr. Carnegie for always successfully getting this off the ground.